Deprivation

We witnessed deprivation in Eastern Europe. It wasn't as pronounced in Czechoslovakia as it was in Poland, but it was there throughout. Deprivation and its accompanying fear. The fear that comes from a pervasive sense that one's needs won't be met. It was both a memory of deprivation and a current experience of deprivation. And there was despair too. Despair that there would never be an end to this deprivation.

It was the opposite of abundance. Everywhere we went, we saw bare shelves -- no produce in Czechoslovakia (in summer!), no milk in Poland. Restaurants weren't accustomed to serving meals, and stores had so few goods to sell.

An ornate row house in Brno

An ornate row house in Brno

And there was also aesthetic deprivation. The new buildings were all so ugly and cold and devoid of character. I wanted to find a peasant skirt to buy as a souvenir but I didn't come anywhere close to finding one. Everyone in Brno seemed to wear one of two, very basic skirts, varying mostly in length. We admired the older architecture and saw some graffiti, but in general there were so few outward expressions. It felt like creativity and sensory experience were shut down and had been for long enough that they were buried deep.

Graffiti in Brno

Graffiti in Brno

I returned home from the trip mourning for the lost yiddishkeit culture, but from this vantage point, I realize it was not the only lost culture. Everything was on hold, smothered. We outsiders knew that things would soon change, but the people we met did not yet seem to see the light at the end of the tunnel.


On a more personal note, I am finding that this month I am moving at a slower pace, wanting my writing to have a chance to develop. I have been drawing and journaling offline, needing that space alongside this online medium. I worked last week with fear and danger, spending time exploring what I am afraid of and what makes me feel endangered. I tried to start with the sensation of fear: the tension that rises in my body as an effort to protect myself from what I fear.

In my typical fashion, I quickly began classifying and found that everything seemed to fall pretty neatly into three categories: fear of pain, fear of rejection and hatred, and fear of annihilation. 

And then today, after a little meditation, I lay on my back simply feeling whatever sensations arose, with the intention of discovering what I would write about today. My mind traveled to Eastern Europe, and I immediately felt the fear, the pervasive fear. And so I wondered, which category does this fear fall into? And the word deprivation arose, loud and clear. 

Where does deprivation fall in my three categories? I found that I wasn't so sure. I guess it's most like annihilation: annihilation is kind of an ultimate deprivation. But maybe deprivation is its own category.  It's so basic: our need to be fed, clothed, and sheltered. Our need to engage our senses. I now recognize the fear of deprivation in myself, but wow am I blessed! The very fact deprivation did not enter into my thinking initially is such a clear indication that for the most part I am lucky enough to have my needs met. For that good fortune, and for all the abundance in my life, I am so very grateful.

White, 4.10.07

White, 4.10.07

The Land in my Mind's Eye

Juxtaposition, 11.18.13

Juxtaposition, 11.18.13

In my mind's eye, when I read about the Holocaust, I always see a grey landscape. It is bleak, without color or beauty. The light is dim. Clouds hang low. It is chilly and damp and miserable.

In my mind's eye, when I hear about my great-grandparents' life in Galicia, it too is bleak and unfriendly. Everything is dried up and spare, like late November. No leaves or greenery. Not even any snow to soften things. It is a hardscrabble existence. The land is not giving. It is like a dry, dusty, dirty barnyard. It is the remnants of gardens that offered up a few morsels to eat, some potatoes in the cellar. It is scrawny chickens pecking the dirt. It is cold and inhospitable.

And then, there I was, in Czechoslovakia and Southeastern Poland in early summer. Beautiful and green. Warm and breezy. Fertile planes and rolling hills. A landscape that was immediately familiar to me, friendly even. It reminded me of my beloved Wisconsin. Tall grass harvested for hay. Large colorful fields of poppies. Window boxes overflowing with flowers. Lovely and soft. 

And the towns and cities had stately buildings, charming line-ups of row houses, avenues, and squares. The villages had darling cottages. Things were a little rundown, but it was easy to see the faded beauty. There was nothing ostentatious, just pleasant. Attractive. Appealing.

Sure, the ugly gray communist buildings, unceremoniously and thoughtlessly situated, had an ominous tone, but they weren't there when my great-grandparents were there, and they weren't there when the Jews were rounded up and sent to the camps. They came afterwards. They cast shadows, sometimes dominating the scene, but even they could not compete with the hills and the greenery, with the skies and the fragrances. 

And now, all these years later, I find that I barely remember the beauty of the landscape. I look again at the photos with wonder. I look at images online with disbelief. The bleakness we often encountered in the people we met and in the almost desperate economic situation made me remember only the gray, only the pall and the heaviness. I am startled once again to see the greenery and the picturesque scenes.

One of our first stops was at Austerlitz, site of one of Napoleon's greatest victories. The battle was fought in December, and all the paintings of it show a barren landscape. But there we were in late June, and it was green and flowering. The land acted like it didn't know anything about the blood shed on these very fields many years ago. In summer, the land was productive and verdant. It was filled as always with life-giving grasses, oblivious to the countless lives that had been brutally lost upon it. And I was uneasy about this juxtaposition. I was touched by its ordinariness and its beauty.

Austerlitz was a preview of this same confusion that I would encounter at every stop, a paradox that I continue to wrestle to make space for within my mind's eye.

#blogElul 5: KNOW

What do I know? More and more but also less and less...

...I know that time seems to be speeding up. 

...I know that these days with my sons are precious. 

...I know that these days with my parents are precious. 

...I know that I miss my grandparents, especially in the summer. 

...I know that I have seen little of the world. 

...I know that I am an incredibly fortunate person, blessed with many types of wealth.

...I know that I crave solitude, silence, order, and calm. 

...I know that I overflow with interests, ideas, and projects. 

...I know that life is full of paradox and it is possible to hold opposites. 

...I know that I am deeply in love with Judaism. 

...I know that the word "God" is still uncomfortable to me but hundreds of other names have helped me find words for my experience of God. 

...I know that "Be still and KNOW that I am God" (Psalm 46) is one of my favorite lines for meditation. 

Be Still and Know that I am God. 

Be Still and Know that I am. 

Be Still and Know. 

Be Still. 

Be. 


 

#BlogElul for 5 Elul 5773

 

#blogElul 4: ACCEPT

I greet the word, "Accept," with resistance, with a kind of dread. I do not welcome this word into my Shabbat, and yet here it is.

An early morning flash has me seeing Prepare. Act. Bless. Accept. as a set, and I am reminded of a breath meditation made up of four parts: the pause before the inhale, the inhale, the pause before the exhale, and the exhale. In this case:

Pause  Prepare

Inhale  Act

Pause  Bless

Exhale  Accept

I breathe with the words for several sets. "Act" doesn't seem to fit as well as the others. Maybe it is the act of taking a breath?

Next, I add a layer. I name something during prepare (e.g. the pain in my shoulder), I send my breath to it with act, I bless it, and I exhale in acceptance.  It's a practice with some potential, but I don't keep with it. I am easily distracted.

Rabbi Alan Lew says those distractions are exactly what I should give my attention during Elul.* And so I return to the four-part breath, this time with less need to name, with a sense of a wide embrace for what is here in this moment. With each exhalation I relax more and more. I expand and, yes, I accept. 

Single magnolia blossom

*Rabbi Alan Lew.This is Real and You are Completely Unprepared: The Days of Awe as a Journey of Transformation."   p. 69.

#BlogElul 4 Elul 5773 

#blogElul 3: BLESS

On most mornings, I find a time to recite morning blessings, fifteen brachot from the liturgy. I use the selection, order, and translation from the Reconstructionist prayerbook, Kol HaNeshamah. I don't remember how I went about memorizing them, but once I did, the blessings became portable. I take them on walks, drives, and swims. I accompany them with movement. I put them to all sorts of melodies. I recite them quickly or drawn out to savor every nuance. I play with alternate translations and understandings. This practice has been a mainstay in my life for seven years now, one that I grow into more deeply every day.

Today, I sang the blessings on a rainy walk in my neighborhood, stopping every now and then to enjoy the ripples from raindrops in the puddles.  What a blessing it is to be able to savor the beauty and blessings of each day.

#BlogElul for 3 Elul 5773